Showing posts with label poetry. Show all posts

Frost at Midnight // Lake Moraine


"Frost at Midnight," by Samuel Taylor Coleridge—one of my very favorite poems in all of life and literature. Life imitates art, or at least it did for me, at Lake Moraine, with these last two stanzas running through my mind, as I walked in awe 'round the perimeter of these glassy waters in Banff National Park, Alberta. The full text of the poem is below (via Poetry Foundation).

. . . . 

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud—and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
'Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,

Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

                      But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger ! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

         Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the intersperséd vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

         Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the night-thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.


Naomi Shihab Nye

Love love love. (Isn't your day incrementally better for having read this poem?)



a poetry primer

I wrote this post forever ago, and while National Poetry Month ended yesterday, you can never spend too much time reading poetry so I'm posting this now (see also: spring blog-drafts cleaning)! A while ago, I made a habit of carrying a volume of poetry with me to read in spare moments (waiting in line, when I arrived early to something, etc.) and I have slacked off from this, but need to resume the habit.

A couple years ago I had a poetry night with some friends in honor of National Poetry Month (April!). We each wrote a poem in advance to share, wrote more on the spot, and read them aloud to each other; never have I experienced anything so nerve-wracking!

About that time I had a reawakening to poetry. I have always had a fondness for essays, and I soon realized that poems have the same ability to sate your literary appetite; they provide you with a sense of completion and accomplishment even after reading only one. I love that poems are a starting point—you read a few lines, and then while mulling over the words and language of the poem, you can contemplate its meaning however objectively or subjectively you choose.

Back when we held a poetry night, one of my friends asked me for a list of poems he should read. I started compiling a list which eventually became the list below. It is fairly limited in scope, mainly focusing on English-language poets (the notable exceptions are Dante and Neruda) and many poems in this list favor more classic forms and traditions of poetry. Of course, this is just a starting point, and you can count on more poetry lists to come.

to begin:
Billy Collins - Introduction to Poetry

Mary Oliver - Wild Geese
my very favorites: Goldenrod, Peonies, Going to Walden

Henry Wadsworth Longfellow - excerpt from Song of Hiawatha

Shakespeare - Sonnet 116 (à la Sense & Sensibility; we also memorized this in my high school dramatic speech class where my friend Brianna and I were the resident gushing Austen fans)

Samuel Taylor Coleridge - Frost at Midnight

Dante Alighieri - Inferno, canti 1, 3, 5 (plus Roberto Benigni)


Billy Collins - First Reader
(also: Schoolville, Forgetfulness, American Sonnet, Insomnia. Basically he is a rockstar poet)


Phyllis McGinley - View from a Suburban Window [I read this in an anthology that I have and loved how it is a play on the Milton poem above, but I cannot locate the full text online due to copyright issues. I don't want to take it out but I apologize for the lack of URL].

John Keats - On the Sonnet


Langston Hughes - Theme for English B

W. H. Auden - Musée des Beaux Arts (one of my favorites in high school)

Elizabeth Bishop - One Art

William Butler Yeats - When You Are Old

Elizabeth Barrett Browning - Sonnet 43

Pablo Neruda - Ode to Bicycles

Ogden Nash - A Word About Winter

T. S. Eliot - The Old Gumbie Cat (Old Possum's Book of Practical Cats, illustrated by Edward Gorey)

Alfred, Lord Tennyson - The Lady of Shalott (a long narrative poem, for Anne fans)

Emily Dickinson - I'm Nobody! Who are you? (one of my childhood favorites; there seem to be two versions with slightly different wording—I grew up on the banishment version)

Emily Brontë - No Coward Soul is Mine

Edgar Allan Poe - The Raven

Alfred Noyes - The Highwayman (also for Anne fans and LOL @ terrible video quality)


not a poem, but an essay about poems which I love: "Scorn Not the Sonnet" by Anne Fadiman

Ode to Indoor Plumbing, Or A Foray into Poetry

Adrienne gave me a thick, cloth-bound journal for Christmas a year ago and I jot lots of things into it—phrases, descriptions, lists, poem fragments, essays I want to write: all things related to (my) writing.

Ever since she asked me if I was going to write any poetry and I said no, I decided I change my mind; I think it would be really great to write poetry, so sometimes I try… I wrote this in November and promptly forgot about it until coming across it again this week. This poem evokes some of Billy Collins’ style—classical and literary references plus a humorous element. Et voilà.

Ode to Indoor Plumbing


Perhaps
bathing really was as elegant
as the Impressionists
would have us believe.


Renoir, Cassatt,
    Degas.
They all depict the same easy grace.


But, oh! Just think
of all the boiling,
of water turned chill,
or frozen over before
the first morning fire was lit.


No, I’m perfectly content
with my modern
    showers,
magically heated
and pumped right to my salle de bain.


the pure peace of giving one's gold away


Goldenrod

On roadsides,
     in fall fields,
          in rumpy bunches,
               saffron and orange and pale gold,

in little towers,
     soft as mash,
          sneeze-bringers and seed-bearers,
               full of bees and yellow beads and perfect flowerlets

and orange butterflies.
     I don't suppose
          much notice comes of it, except for honey,
               and how it heartens the heart with its

blank blaze.
     I don't suppose anything loves it except, perhaps
          the rocky voids
               filled by its dumb dazzle.

For myself,
     I was just passing by, when the wind flared
          and the blossoms rustled,
               and the glittering pandemonium

leaned on me.
     I was just minding my own business
          when I found myself on their straw hillsides,
               citron and butter-colored,

and was happy, and why not?
     Are not the difficult labors of our lives
          full of dark hours?
               And what has consciousness come to anyway, so far,

that is better than these light-filled bodies?
     All day
          on their airy backbones
               they toss in the wind,

they bend as though it was natural and godly to bend,
     they rise in a stiff sweetness,
          in the pure peace of giving
               one's gold away.

–Mary Oliver, New and Selected Poems Volume One, p. 17-18



I love Mary Oliver and these are some of my very favorite poems: Goldenrod, Going to Walden, and Poppies.

As Jess and I climbed the narrow trail leading up a mountain across a valley from the splendor of these pictured mountains, I exclaimed again and again with delight at the perfect day, the mountains, the aspen trees, the sunshine, the cool wind periodically breezing by, each new wildflower that grew along our path. On the way down, I plucked a few for a bouquet (which ended up in my hair). Sage, Indian paintbrush, goldenrod, others yet unknown.

At the beginning I thought to curb my enthusiasm, refrain from further exclamations of repetitive delight. But this was impossible, and really, to what end? What has consciousness come to anyway, so far, / that is better than these light-filled bodies?

Going to the mountains is so good for my soul. The beauty and stillness of those rocky places lets everything else melt away. My feet keep pace on a narrow path, swishing through densely grown grasses and wildflowers and the occasional thistle. My mind empties itself out, replacing worries and noise with the craggy heights and rocky bulk of the mountains, daylight filtering through the aspens, the audible fluttering as their leaves quiver in the wind, the same wind that cools your face and blows wisps of my hair. It is all right there for me (and you) to notice and the mountains ask for nothing in return, "bright coppers at the roots of trees."

listening: The Sound of Music soundtrack (what else, really?)


do you say po-em or pome

I've been on a poetry kick lately and was talking about it to Age while we were making dinner the other night. She asked if I was going to write any. I told her, "No," but I lied; I wrote this one.


(The title of this post is a real question that Stacia asked me when we were roommates, while I was mid-prayer and she was down the closet/hall of our room in the bathroom getting ready for bed. It still gets me every time.)

//

"But I also say this: that light / is an invitation / to happiness, / and that happiness, / when it's done right, / is a kind of holiness, / palpable and redemptive."  |  Mary Oliver


In my forays into reading more poetry, I have slowly been reading through a volume of Tennyson (very slowly) and picked up a used book of Ogden Nash poems (primarily because I loved the punchy graphic design of the cover, but that's besides the point). I remembered that I have always loved the poem "Wild Geese" by Mary Oliver ever since reading it in high school so I also bought a book of her poems (New and Selected Poems Volume One). I've been reading through the book and also skipping around and I have already marked so many poems as favorites. I love her ability to use imagery from nature to perfectly capture feelings and life, to perfectly match scenes of the world with scenes of the heart.




things I love: a list

• tomorrow is Friday!
• an Alfred Hitchcock film series
• a T.S. Eliot childhood connection that explains my apparently unknown knowledge of his other works that I haven't read
• sushi - specifically avocado rolls
• the Pomelo-scented candle burning a few feet away
• bees buzzing outside my window (bees not pictured)
• bee leads
• books.
• new running clothes as a reward for my first run of Ragnar training. uffa
• pink sunset clouds
• mountains for a horizon
• reading about ice cream shops in cities I hope to visit someday
• the First Presidency message
• expected mail and unexpected mail (but not the mail from the IRS)
• finding out that April is National Poetry Month after I decided this week that I should read more poetry


I used to write such lists all the time; it has been much too long.

avventure


But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.


–Samuel Taylor Coleridge, excerpt from "Frost at Midnight"

una poesia italiana.

I read this poem the other day for my Italian literature class and it has become my favorite piece that we've read thus far. Bravissima.

Margherita Guidacci
La Conchiglia

Non a te appartengo, sebbene nel cavo
della tua mano ora riposi, viandante;
né alla sabbia da cui mi raccogliesti
e dove giacqui lungamente, prima
che al tuo sguardo si offrisse la mia forma mirabile.
Io compagna d'agili pesce e d'alghe
ebbi vita dal grembo delle libere onde.
E non odio né oblio ma l'amara tempesta me ne divise.
Perciò si duole in me l'antica patria e rimormora
assiduamente e ne sospira la mia anima marina,
mentre tu reggi il mio segreto sulla tua palma
e stupito vi pieghi il tuo orecchio straniero.

and my attempt at a translation:
The Shell

I do not belong to you, even though in the hollow
of your hand I now rest, wayfarer;
nor to the sand from which you collected me
and where I have long lain, before
to your gaze was offered my wondrous form.
A friend to agile fish and algae
I had life in the lap of the free waves.
And neither hate nor oblivion but the bitter tempest has divided me thus.
Therefore aches in me the ancient love for my homeland
and painstaking murmurings and sighs of my sea-soul,
while you hold my secret in your palm
and, surprised, turn me to your foreign ear.


Some of the assonance ("ma l'amara," "me ne," "odio...oblio," and "la mia anima marina") is lost in the English translation, but I think it retains much of the meaning and imagery. The sentiments that it evokes of nostalgia and identity are ones that I especially identify with, and I think the metaphor is so fitting.


p.s. fun fact about Margherita Guidacci (thank you, Wikipedia): her use of the word "paparazzo" in a translated work is linked to its English use today (i.e. obnoxious media photographer). Crazy!